This series emerged from my attempts to understand the relationship between animal and human worlds, approached through an ironic and surreal lens. I became interested in how visual language and repetition shape perception, and how certain things become familiar, while others fade from view.

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By incorporating elements drawn from domestic spaces, advertising, and childhood imagery, I began to explore how these influences inform what feels normal or acceptable. The use of absurdity became a way to hold tension rather than resolve it, creating space for reflection rather than directive.

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The work functions as a kind of visual inquiry, not to define meaning, but to question how it is constructed. It invites a slower looking and an opportunity to reconsider what is seen, what is overlooked, and how those boundaries are formed.